KISS OF LIFE Natty And Julie’s Lesbian-Inspired Performance Faces Brutal Criticism

The video appears to pay homage to an award-winning film.

On June 30, KISS OF LIFE returned with a new summer anthem, “Sticky.” Fans expected the track to lean into a fun, sexier image based on the teaser…

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KISS OF LIFE | S2 Entertainment

…but many were left surprised by the fun and flirtatious music video, resulting in a split amongst the fandom. While many enjoyed the vibes of the video, some found it to over-sexualize the group and take advantage of their “hot girl” image.

This sparked a debate, with fans using KISS OF LIFE’s own words to respond to claims of over-sexualization.

Oversexualization Or Overreaction? KISS OF LIFE Fans Have Heated Debate…With Receipts

Recently, the debate has picked up again as fans, mostly on the Korean side, reacted negatively to a recent release.

On August 13, Julie and Natty appeared on Mnet’s YouTube channel in a short film with actor Lee Yi Kyung. The short film appears to be a modern recreation of the Korean film The Handmaiden.

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| IMDB

The Handmaiden is about a pickpocket turned maid to a Japanese heiress. The former pickpocket was tasked with helping a con man convince the heiress to marry him under false premises.

After a stressful moment, the two have sex with each other, the start of several twists and turns in the film.

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Kim Tae Ri (right) and Kim Min Hee (left) in the film. | CJ Entertainment

At one point, Natty and Julie dance “Buttons” by The Pussycat Dolls.

The dance is decidedly sensual and sexy, and allows the two idols to showcase their talents in a new way.

The dance portion was reuploaded on to X with a different song, where it has gone viral.

The video received much praise on the original platform, with many enjoying the short film.

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However, the reposted clip of their performance has been met with harsh criticism. Many have criticized the continued sexy image the group have had as of late, while accusing their company of taking advantage as others disapprove of using the performance to pay homage to the award-winning film.

  • “They hype up cheap music videos with dirty and vulgar choreography, so that’s probably why it happens. The agency realized, ‘Oh, this sells well,’ ‘This works,’ ‘This makes money,’ lol. This is why we shouldn’t support anything that’s even slightly sexualized, but people just don’t listen…”
  • “It’s sexualized, but it’s not even sexy, so it’s actually funny… What are we supposed to do with this ugly outcome? And I can even see hints of a homage to The Handmaiden. Are they crazy?”
  • “Why does this agency love sexualizing their artists so much?”
  • “If Park Chan Wook (The Handmaiden’s director and writer) saw this he’d probably want to hunt down the person who planned it.”
  • “Homaging something is their choice, but if they really think about the plot of The Handmaiden, especially the significance of that field scene, shouldn’t they also find it strange to use it as a backdrop for sexual appeal?”

It seems that while some of the criticism is based in the same issues the group were facing following the release of “Sticky,” the argument of what is appropriate has added context. However, as art is subjective and the buzz around KISS OF LIFE continues to increase, the group should continue doing what they feel comfortable with.

KISS OF LIFE

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